15
Equilibrium
ucnv
11:00 a.m. — 7:00 p.m. / Thu., Sep 15 — Wed., Sep 28, 2022
*This program has ended.
*This program has ended.
An artist, as well as a programmer, ucnv repeatedly alternates between the normal and abnormal by inflicting damage to data through programs in the field of digital media.
The true essence of his works lies not in their outward appearances, but their structures.
See this exhibition and enjoy his new installations with what could be interpreted as being a new form of irony incorporated into processes and structures outputted onto digital data through programs.
ー
The work to be placed on display here will be three variations of the same image.
The first is the original photo. The other two are damaged JPEG and PNG images, which I processed with encoders that I installed myself.
The encoders intentionally feature algorithms with subtle glitches.
This results in differences between the two file formats. It reveals the differences in internal processes taking place within the JPEG and PNG images.
That’s the kind of thing I focus on in my works. It’s not the visual image I want to show people, but I simply continue using programs to generate data like it's trash. If such image data could inspire something within people who see my works, it would be like an algorithm with glitches, and I find that interesting.
ucnv
The true essence of his works lies not in their outward appearances, but their structures.
See this exhibition and enjoy his new installations with what could be interpreted as being a new form of irony incorporated into processes and structures outputted onto digital data through programs.
ー
The work to be placed on display here will be three variations of the same image.
The first is the original photo. The other two are damaged JPEG and PNG images, which I processed with encoders that I installed myself.
The encoders intentionally feature algorithms with subtle glitches.
This results in differences between the two file formats. It reveals the differences in internal processes taking place within the JPEG and PNG images.
That’s the kind of thing I focus on in my works. It’s not the visual image I want to show people, but I simply continue using programs to generate data like it's trash. If such image data could inspire something within people who see my works, it would be like an algorithm with glitches, and I find that interesting.
ucnv
From the outside
State of the exhibits
Installation of new work
On the back wall are original photos, broken JPGs, and broken PNG artwork
Visitors at Sony Park Mini
There is a handout to learn more about the work.
Nishi-Ginza Parking Coffee with a drink
![[Equilibrium] Key Visual](/mini-program/assets/images/list/015/archives/015_08.jpg)
ucnv
Since around 2009, UCNV has created works of images and video files intentionally damaged by glitches in programs. In recent years, he has gone beyond glitches, and unveiled works revolving around the characteristics of digital media.
His main exhibitions in recent years include “Artificial Intelligence Art and Aesthetics Exhibition: Hard Problem of the Aesthetic Consciousness” held at Informel Nakagawamura Museum, Wasp Museum and the Old Ceramics Studio (Nagano, 2021), “im/possible images” at Lothringer 13 Halle (Munich, 2021), “Volatile” at IAMAS Library (Gifu, 2019), “Physique Toss” at Akibatamabi21 (Tokyo, 2019), “Illuminating Graphics 2” at Creation Gallery G8 (Ginza, 2019), and “AUDIO ARCHITECTURE” at 21_21 DESIGN SIGHT (Tokyo, 2018).
Since around 2009, UCNV has created works of images and video files intentionally damaged by glitches in programs. In recent years, he has gone beyond glitches, and unveiled works revolving around the characteristics of digital media.
His main exhibitions in recent years include “Artificial Intelligence Art and Aesthetics Exhibition: Hard Problem of the Aesthetic Consciousness” held at Informel Nakagawamura Museum, Wasp Museum and the Old Ceramics Studio (Nagano, 2021), “im/possible images” at Lothringer 13 Halle (Munich, 2021), “Volatile” at IAMAS Library (Gifu, 2019), “Physique Toss” at Akibatamabi21 (Tokyo, 2019), “Illuminating Graphics 2” at Creation Gallery G8 (Ginza, 2019), and “AUDIO ARCHITECTURE” at 21_21 DESIGN SIGHT (Tokyo, 2018).
[Venue]
Sony Park Mini
B1 Nishi-Ginza Parking, 5-3-1 Chisaki, Ginza, Chuo-ku, Tokyo 104-0061 (Google Maps / Video access guide)
[Opening Hours / Duration]
11:00 a.m. — 7:00 p.m. / Thu., Sep 15 — Wed., Sep 28, 2022
*This program has ended.
[Admission Fee]
Free
[Measures to prevent infection and requests for visitors]
Measures will be implemented to prevent the spread of infections at Sony Park Mini, to ensure the health and safety of visitors and staff. Thank you for your understanding and cooperation.
Sony Park Mini
B1 Nishi-Ginza Parking, 5-3-1 Chisaki, Ginza, Chuo-ku, Tokyo 104-0061 (Google Maps / Video access guide)
[Opening Hours / Duration]
11:00 a.m. — 7:00 p.m. / Thu., Sep 15 — Wed., Sep 28, 2022
*This program has ended.
[Admission Fee]
Free
[Measures to prevent infection and requests for visitors]
Measures will be implemented to prevent the spread of infections at Sony Park Mini, to ensure the health and safety of visitors and staff. Thank you for your understanding and cooperation.
- Visitors are asked to cooperate in having their temperatures checked when entering the facility. People with temperatures over 37.5 ℃ may not be allowed to enter.
- Visitors are asked to wear masks inside the facility.
- Visitors are asked to cooperate in disinfecting their hands when entering the facility.
- Visitors are asked to cooperate in maintaining social distancing.
- Alcohol disinfectant will be available.
- Places inside the facility touched or used by many people will be disinfected or ventilated regularly.
- Staff will wear masks, check their temperatures before coming to work, and regularly gargle their mouths, as well as wash and disinfect their hands.